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I am Professor of Art and Computational Culture at LSBU, where I am co-Director of Centre for the Study of the Networked Image (CSNI). Previously I worked at University of Plymouth, where I did my PhD (2006), Aarhus University (2010-) where I retain an adjunct position. I have held Visiting Scholar positions at the Computer Lab, University of Cambridge (2016), and Digital Visual Studies, Max Planck/University of Zurich (2022).
My research interests lie broadly across the fields of software studies, contemporary art, and autonomous publishing.
Published books include Speaking Code (with Alex McLean, MIT Press, 2013), Aesthetic Programming (with Winnie Soon) published by Open Humanities Press (2020), and Live Coding (with Alan Blackwell, Emma Cocker, Thor Magnusson, Alex McLean, MIT Press, 2022). I am an advisor for the online journal Computational Culture, and AI in Society and Culture, an initiative of Oxford University Press. As one outcome of The Contemporary Condition research project (co-PI, Danish Research Foundation), I published The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art (with Jacob Lund, Sternberg Press, 2016), the first in a book series that I continue to co-edit. I am also co-editor (with Joasia Krysa) of the open access DATA browser book series published by Open Humanities Press. In collaboration with transmediale festival in Berlin, I co-run (with Christian Ulrik Andersen) a yearly research workshop/publication, and am co-editor of the associated open access online journal APRJA, published by Aarhus University, and hosted by The Royal Danish Library.
Current projects include: ServPub, an experimental publishing platform for affective infrastructures (with Aarhus, UCL Slade, In-grid, and Systerserver), and related collaborative book project with Minor Compositions supported by Open Book Futures (2023-26); and "Ways of [Machine] Seeing", an ongoing public engagement project in collaboration with UCL Institute of Education, Justice Matrix and the The Photographers' Gallery on AI and visual literacy, initially funded by The Alan Turing Institute (2022-23), and since through Responsible AI and UKRI (2024-25).
Courses taught
Photography - BA (Hons)
Arts and Creative Industries - MRes
Arts and Creative Industries - PhD
Postgraduate Research Supervision
Current
| Mr Marco De Mutiis | Doctoral Research Project | PhD |
| Miss Kendal Beynon | Doctoral Research Project | PhD |
| Ms Teodora Sinziana Fartan | Doctoral Research Project | PhD |
| Ms Marloes De Valk | Doctoral Research Project | PhD |
| Ms Rachel Mary Falconer | Doctoral Research Project | PhD |
| Mr Mateus Jose Tansley De Oliveira Domingos | Doctoral Research Project | PhD |
| Emanuele Andreoli | PhD |
Awarded in the last 5 years
| Ryan Nolan | PhD | |
| Laura Hopes | PhD | |
| Laura Rosser | PhD | |
| Camma Juel Jepson | PhD | |
| James Schofield | PhD | |
| Jurij Smrke | PhD |
University of Plymouth
Royal College of Art
Bradford Art College
Plymouth College of Art & Design
HEA
| Funder | Year won | Project | Role |
|---|---|---|---|
| UK Research and Innovation (UKRI) | 2024 | Ways of (Machine) Seeing: towards a new visual literacy in AI | Principal Investigator |
| The Alan Turing Institute | 2022 | Learning Experiments in Computer Vision and Visual Literacy | Principal Investigator |
| Proposal | Project | Role | Funder | Status | Status last updated |
|---|---|---|---|---|---|
| ADAPT-AI: Analysing and Diversifying Audience Participation with Creative Technologies and AI | ADAPT-AI: Analysing and Diversifying Audience Participation with Creative Technologies and AI | Co-Investigator | Arts and Humanities Research Council (AHRC) | OPEN Submitted | Jul 2024 |
Open Access online journal hosted by The Royal Danish Library, and published by Aarhus UNiversity in partnership with Transmediale, Berlin.
Journal of Software Studies
Journal series and festival/conference organised by RIXC published in collaboration with Liepaja University
Adjunct Associate Professor in Department of Digital Design and Information Studies; member of Contemporary Aesthetics and Technology research programme, and Digital Aesthetics Research Centre.
Contemporary Aesthetics and Technology; Digital Aesthetics; Digital Design and Information Studies
Visiting academic as part of Max Plank Centre for Digital Visual Studies.
Research workshop, tutorials, exploration of collaborative projects.
External Examiner, MA Interactive Design
External Examiner, MA Digital Culture
Validations of BA Fine Art and BA Drawing
Validations of BA Fine Art and MA Computational Fine Art
Supervision of collaborative PhD projects, and other research collaborations
Supervision of collaborative PhD projects; Co-director of MA Curating Art and Public Programmes (2021-24).
Advisor for AI in Society and Culture, an Oxford Intersection Digital Publication.
Education/Outreach Curator
Adjunct Online Curator
Live Coding: A User's Manual
Cox, G., Blackwell, A, Cocker, E, McLean, A and Magnusson, T (2022). Live Coding: A User's Manual. Cambridge, Mass. MIT Press.
A Peer Reviewed Newspaper About_ Rendering Research
Cox, G. (2022). A Peer Reviewed Newspaper About_ Rendering Research. Digital Aesthetics Research Centre / Center for Digital Æstetikforskning.
Ways of Machine Seeing as a Problem of Invisual Literacy
Cox, G. (2022). Ways of Machine Seeing as a Problem of Invisual Literacy. in: Dewdney, A. and Sluis, K. (ed.) The Networked Image in Post Digital Culture London Routledge (Taylor & Francis Group). pp. 102-113
Diagramming Aesthetic Programming
Cox, G. and Soon, W. (2021). Diagramming Aesthetic Programming. Dipoli Gallery, Aalto University, Helsinki, Finland 14 Feb 2022
A Peer Reviewed Newspaper About Research Refusal
Cox, G. (2021). A Peer Reviewed Newspaper About Research Refusal. Digital Aesthetics Research Centre / Center for Digital Æstetikforskning.
Editorial: How To Refuse Research from The Ruins of Its Own Production
Cox, G. (2021). Editorial: How To Refuse Research from The Ruins of Its Own Production . APRJA. 10 (1), pp. 4-13. https://doi.org/10.7146/aprja.v10i1.128183
Affordances of the Networked Image
Cox, G., Dewdney, A., Dekker, A. and Sluis, K. (2021). Affordances of the Networked Image. The Nordic Journal of Aesthetics. 30 (61-62), pp. 40-45.
What is an Image?
Cox, G. and Soon, W. (2021). What is an Image? The Nordic Journal of Aesthetics. 30 (61-62), pp. 196-201.
Glossary
Cox, G. (2021). Glossary. Stages. 9.
Introduction: Ways of Machine Seeing
Azar, M., Cox, G. and Impett, L. (2021). Introduction: Ways of Machine Seeing. AI & Society: Journal of Knowledge, Culture and Communication. 36 (4), pp. 1093-1104. https://doi.org/10.1007/s00146-020-01124-6
Aesthetic Programming: A Handbook of Software Studies
Cox, G. and Soon, W (2020). Aesthetic Programming: A Handbook of Software Studies. London Open Humanities Press.
Exhibition-ism: Temporal Togetherness
Bal, M Cox, G. and Lund, J. (ed.) (2020). Exhibition-ism: Temporal Togetherness . Berlin Sternberg Press.
Co-existence of Times: A conversation with John Akomfrah
Løgstrup, J and Akomfrah, J Cox, G. and Lund, J (ed.) (2020). Co-existence of Times: A conversation with John Akomfrah . Berlin Sternberg Press.
Before and After the Network - Editorial
Cox, G. and Andersen, C. U. (2020). Before and After the Network - Editorial. APRJA. 9 (1), pp. 4-7. https://doi.org/10.7146/aprja.v9i1.121484
The Contemporary Condition
Cox, G (2020). The Contemporary Condition. Sternberg Press.
Transmediale workshops and publications
Cox, G. (2020). Transmediale workshops and publications. transmediale/darc, aarhus university.
A Peer Reviewed Newspaper About_ Research Networks
Basu, S., Iscen, O.E., Wells, T., Ribas, C., Vasconcellos, G., Holt, R., Seitz, T., Bozzi, N., Kronman, L., Ochigame, R., Pacheco, J.P., Glushneva, I., Bi, W., Grundtmann, N., Lee, W.K., Schlüter, M., Dada, M., Tyzlik-Carver, M., Soon, W., Pold, S., Apprich, C., Neves, J, Cox, G. and Andersen, C.U. (2020). A Peer Reviewed Newspaper About_ Research Networks. Aarhus Aarhus University.
Time.Now
Cox, G. and Lund, J. Time.Now. in: Thylstrup, N.B., Agostinho, D, Ring, A., D’Ignazio, C. and Veel, K. (ed.) Uncertain Archives: Critical Keywords for Big Data MIT Press. pp. 523-531
Anachrony, Contemporaneity, and Historical Imagination
Lund, J. Cox, G. and Lund, J. (ed.) (2019). Anachrony, Contemporaneity, and Historical Imagination. Berlin Sternberg Press.
The Last Resident
Gfader, Verina, Browne, V., Carson, R., Forsythe, W., Hsu, C., Kentridge, W., Mochu, Narula, M., Paul, P., Porsager, L., Raunig, G., Sif and Xie, L. Cox, G. and Lund, J. (ed.) (2019). The Last Resident . Berlin Sternberg Press.
“100 Years of Now” and the Temporality of Curatorial Research
Von Schubert, O. Cox, G. and Lund, J. (ed.) (2019). “100 Years of Now” and the Temporality of Curatorial Research . Berlin Sternberg Press.
A Peer-reviewed Newspaper About_ Machine Feeling
Azar, M., Breljak, A., De Carlo, M., Dada, M., Emsley, I., Stavning Erslev, M., Chavez Heras, D., Hollanek, T., Klein, M., Lee, R., Morgan, C., Ng, C., Pohflepp, S., Raskin, I., Roxanne, T., Uliasz, R., Wiehn, T., Zehner, B., Zeilinger, M. and Cox, G. (2019). A Peer-reviewed Newspaper About_ Machine Feeling. Aarhus University.
The Crackle of Contemporaneity
Cox, G, Nolan, R and Prior, A (2019). The Crackle of Contemporaneity. in: de Assis, P and Schwab, M (ed.) Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research Ghent Leuven University Press. pp. 97-114
Feeling, Failure, Fallacies - Editorial
Cox, G. and Anderson, C.U. (2019). Feeling, Failure, Fallacies - Editorial. A Peer Reviewed Journal About Machine Feeling. 8 (1). https://doi.org/10.7146/aprja.v8i1.115409
A Peer-reviewed Newspaper About_ Research Values
Andaluz, C.E., Azar, M., Bowden, C., Brain, T., Eriksson, M., Garrett, M., Hunger, F., Michelsen, L.L., Munn, L., Mylonaki, D., Nadal, M., Scheidt, K., Thornton, P., Tigas, P., Wong, A.L., Albrecht, K., Pinkrah, N.Y., Moll, J., Sebregondi, F. and Cox, G. (2018). A Peer-reviewed Newspaper About_ Research Values. Aarhus Aarhus University.
Vocable Code (13082018): A lecture-performance in six parts
Soon, W. and Cox, G. (2018). Vocable Code (13082018): A lecture-performance in six parts. Aarhus
Vocable Code
Soon, W. and Cox, G. (2018). Vocable Code. Cox, G., Drayson, H., Fatehrad, A., Gall, A. and Hopes, L. (ed.) Artistic Research Will Eat Itself: 9th SAR - International Conference on Artistic Research. Plymouth, UK 11 - 13 Apr 2018 Society for Artistic Research. pp. 251-258
(Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology
Cox, G and Riis, M (2018). (Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology. in: McLean, A and Dean, R (ed.) The Oxford Handbook on Algorithmic Music Oxford Oxford University Press (OUP). pp. 603-626
Hegel after Occupy
Bolt Rasmussen, M. Cox, G. and Lund, J. (ed.) (2018). Hegel after Occupy . Berlin Sternberg Press.
On Writing a Literary History of the Contemporary: or What is, or was, “the Contemporary,” and should we keep calling it that?
Hutton, M-A. Cox, G. and Lund, J. (ed.) (2018). On Writing a Literary History of the Contemporary: or What is, or was, “the Contemporary,” and should we keep calling it that? Berlin Sternberg Press.
RuntimeException(): Critique of Software Violence
Cox, G (2018). RuntimeException(): Critique of Software Violence. in: Tyzlik-Carver, M, Pritchard, H and Snodgrass, E (ed.) Executing Practices London Open Humanities Press. pp. 55-68
Artistic Research Will Eat Itself
Cox, G. (2018). Artistic Research Will Eat Itself.
Most and Least of Research Value/s - Editorial
Cox, Geoff and Andersen, Christian Ulrik (2018). Most and Least of Research Value/s - Editorial. APRJA. 7 (1).
A Peer-reviewed Newspaper About_ Machine Research
Cox, G., Pold, S., Andersen, C.U., House, B., Gil-Fournier, A., Malevé, N., Hill, J., Jones, N., Skinner, S., Young, D., Herrie, M.B., Ganesh, M.I., Ridgway, R., Abbing, R.R., Monti, M., Menkman, R., Rasmussen, S., Rocha, J. and Garcen, S. (2017). A Peer-reviewed Newspaper About_ Machine Research. Aarhus Aarhus University.
Contemporary Research Intensive
Ambrožič, M., Birchall, M., Chaguidouline, A., Cox, G., Guastamacchia, N., Kølbæk Iversen, A., Juel Jepsen, C., Krysa, J., Lund, J., Løgstrup, J., Ricci, C., Salvaneschi, C., Schofield, J., Sheikh, S., Friis Sørensen, T., Tsampalla, S., Tsionki, M., Vettese, A. and Weir, A. Cox, G. and Lund, J. (ed.) (2018). Contemporary Research Intensive . Berlin Sternberg Press.
The Contemporary Condition: Key Concepts
Lund, Jacob, Gfader, Verina, Iversen, Anne Kølbæk and Cox, Geoff (2017). The Contemporary Condition: Key Concepts. Stages. 6.
Machine Research - Editorial
Cox, G. and Andersen, C.U. (2017). Machine Research - Editorial. APRJA. 6 (1).
There Is No Now: An Archaeology of Contemporaneity
Ebeling, K. Cox, G. and Lund, J. (ed.) (2017). There Is No Now: An Archaeology of Contemporaneity . Berlin Sternberg Press.
Notes on the Type, Time, Letters & Spirits
Sinister, D. Cox, G. and Lund, J. (ed.) (2017). Notes on the Type, Time, Letters & Spirits. Berlin Sternberg Press.
Ways of Machine Seeing: An Introduction
Cox, G (2017). Ways of Machine Seeing: An Introduction. APRJA. 6 (1), pp. 8-15. https://doi.org/10.7146/aprja.v6i1.116007
Contemporary Conditions are Badly Known
Cox, G and Lund, J (2017). Contemporary Conditions are Badly Known. Acoustic Space. 16, pp. 93-100.
We Are Here, But Is It Now? (The Submarine Horizons of Contemporaneity)
Raqs Media Collective Cox, G. and Lund, J. (ed.) (2017). We Are Here, But Is It Now? (The Submarine Horizons of Contemporaneity) . Berlin Sternberg Press.
The Delayed Present: Media-Induced Tempor(e)alities & Techno-traumatic Irritations of “the Contemporary”
Ernst, W. Cox, G. and Lund, J. (ed.) (2017). The Delayed Present: Media-Induced Tempor(e)alities & Techno-traumatic Irritations of “the Contemporary” . Berlin Sternberg Press.
A Peer-reviewed Newspaper About_ Excessive Research
Cox, G., Andersen, C.U., Azar, M., Christou, E., Doran, A., Gansing, K., Velasco Gonzalez, P., Hansen, L.K., Jones, N., Krysa, J., Lautenschlaeger, G., Mann, L., Sollfrank, C., Sützl, W., Søndergaard, M.L.J., Topaloglu, C., Wark, S. and Zettel, T. (2016). A Peer-reviewed Newspaper About_ Excessive Research. Aarhus Aarhus University.
Ways of Machine Seeing
Cox, Geoff (2016). Ways of Machine Seeing.
Excessive Research - Editorial
Andersen, C.U. and Cox, G. (2016). Excessive Research - Editorial. APRJA. 5 (1), pp. 1-1.
A Slow, Contemporary Violence: Damaged Environments of Technological Culture
Parikka, J. Cox, G. and Lund, J. (ed.) (2016). A Slow, Contemporary Violence: Damaged Environments of Technological Culture . Berlin Sternberg Press.
The Contemporary Composition
Smith, T. Cox, G. and Lund, J. (ed.) (2016). The Contemporary Composition. Berlin Sternberg Press.
The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art
Cox, G and Lund, J Cox, G. and Lund, J. (ed.) (2016). The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art. Berlin Sternberg Press.
Writing the Live Coding Book
Blackwell, A, Cox, G and Lee, S. W (2016). Writing the Live Coding Book. Ogborn, David (ed.) International Conference on Live Coding 2016. Hamilton, Canada 12 - 15 Oct 2016 McMaster University, Hamilton, Canada International Conference on Live Coding.
Generator: the value of software art
Cox, Geoff Generator: the value of software art. in: Shanken, Edward A (ed.) Systems MIT Press. pp. 186-189
A Peer-reviewed Newspaper About_ Datafied Research
Cox, G., Rossiter, N., Ridgway, R., Charlton, J., Samson, A., Gallardo, F., Stoyanova, M., Soon, W., Olsen, L.M., Howe, D.C., Andersen, C.U. and Pold, S. (2015). A Peer-reviewed Newspaper About_ Datafied Research. Aarhus Aarhus University.
Crítica de la violencia software
Cox, G. (2015). Crítica de la violencia software. Concreta. 05, pp. 28-39.
Datafied Research - Editorial
Andersen, C.U. and Cox, G. (2015). Datafied Research - Editorial. APRJA. 4 (1).
What Does Live Coding Know?
Cox, G. (2015). What Does Live Coding Know? Proceedings of the First International Conference on Live Coding.
Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi
Cox, G., Malevé, N. and Murtaugh, M. (2015). Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi. in: Krysa, J. and Parikka, J. (ed.) Writing and UnWriting Media (Art) History: Erkki Kurenniemi in 2048 Cambridge, Mass. MIT Press. pp. 125-142
Postscript on the Post-digital and the Problem of Temporality
Cox, G (2015). Postscript on the Post-digital and the Problem of Temporality. in: Dieter, M. and Berry, D. M. (ed.) Postdigital Aesthetics: Art, Computation and Design London Palgrave Macmillan. pp. 151-162
Real-time for Pirate Cinema
Cox, Geoff Janša, J. (ed.) (2015). Real-time for Pirate Cinema. Aksioma.
World in Motion: Films from the Collection of the Museum of Ordure
Cox, G., Brisley, S. and Balcioglu, M. (2014). World in Motion: Films from the Collection of the Museum of Ordure.
A Peer-reviewed Newspaper About_ Post-digital Research
Cox, G., Andersen, C.U., Allen, J., Bosma, J., Charlton, J., Chattopadhyay, B., Cramer, F., Fritsch, J., Gauthier, D., Jackson, R., Lawrie, M., Ludovico, A., Nolan, K., Papadopoulos, G., Philipsen, L., Pold, S., Riis, M., Snodgrass, E., Thomsen, B.M.S. and Soon, W. (2014). A Peer-reviewed Newspaper About_ Post-digital Research. Aarhus Aarhus University.
Paradoxical Values of Running Code / Paradoksalne wartosci kodu
Cox, G. (2014). Paradoxical Values of Running Code / Paradoksalne wartosci kodu. in: Krajewski, P. and Kutlubasis-Krajewska, V. (ed.) Pioneering Values WRO Foundation for Media Art. pp. 41-113
Occupying Public Networks
Cox, G. and Krysa, J. (2014). Occupying Public Networks. in: Mróz-Grygierowska, M. and Ekstrand, T. (ed.) Art Line Karlskrona Blekinge County Museum. pp. 182-184
Code for-itself
Cox, G. (2014). Code for-itself. in: Jones, N. and Skinner, S. (ed.) Torque #1 Link Editions. pp. 130-140
Post-Digital Research - Editorial
Andersen, C.U. and Cox, G. (2014). Post-Digital Research - Editorial. APRJA. 3 (1).
Not Just for Fun
Cox, G. and McLean, A. (2014). Not Just for Fun. in: Goriunova, Ol. (ed.) Fun and Software: Exploring Pleasure, Pain and Paradox in Computing London Bloomsbury Academic. pp. 157-173
01.01.CM: Collection of Museum of Ordure
Cox, G., Brisley, S. and Balcioglu, M. Cox, G. and Kokholm, M. (ed.) (2014). 01.01.CM: Collection of Museum of Ordure. Aarhus Antipyrine.
Prehistories of the Post-digital: or, some old problems with post-anything
Cox, Geoff (2014). Prehistories of the Post-digital: or, some old problems with post-anything. APRJA. 3 (1), pp. 71-75. https://doi.org/10.7146/aprja.v3i1.116087
Live Coding as a Model for Cultural Practice & Cultural-Epistemological Aspects of Live Coding
Cox, G. (2013). Live Coding as a Model for Cultural Practice & Cultural-Epistemological Aspects of Live Coding. Schloss Dagstuhl–Leibniz-Zentrum f"ur Informatik.
Researching BWPWAP: how can we save research from itself?
Andersen, C.U., Cox, G., Bazzichelli, T., Gansing, K. and Beverungen, A. (2013). Researching BWPWAP: how can we save research from itself? A Peer-Reviewed Journal About. 2, pp. 1-2.
Speaking Code: Coding as Aesthetic and Political Expression
Cox, G. and McLean, A. (2013). Speaking Code: Coding as Aesthetic and Political Expression. Cambridge, Mass. MIT Press.
Disrupting Business: art and activism in times of financial crisis
Cox, G and Bazzichelli, T (2013). Disrupting Business: art and activism in times of financial crisis. New York Autonomedia.
Notes on 120 days of *buntu
Cox, G. (2012). Notes on 120 days of *buntu. in: Vasiliev, D. and Savicic, G. (ed.) 120 days of *buntu Beaver Press. pp. 10-11
Alternatywy nie ma
Cox, G. (2012). Alternatywy nie ma. in: Krajewski, P. and Kutlubasis-Krajewska, Vi. (ed.) WRO 2011 Alternative Now Catalog Wroclaw WRO Foundation for Media Art.
In/Compatible Research - Editorial
Andersen, C.U. and Cox, G. (2012). In/Compatible Research - Editorial. 1, pp. 2-2.
Introduction/Einführung
Cox, G. (2012). Introduction/Einführung. in: David Link Berlin Hatje Cantz.
Virtual Suicide as Decisive Political Act
Cox, G. (2012). Virtual Suicide as Decisive Political Act. in: Sützl, W. and Hug, T. (ed.) Activist Media and Biopolitics Innsbruck University of Innsbruck Press. pp. 105-105
Praxis de la programmation: reconsidérer L’esthétique do code généneratif
Cox, G., McLean, A. and Ward, A. (2011). Praxis de la programmation: reconsidérer L’esthétique do code généneratif. in: Lartigaud, D-O. (ed.) Art++ HYX Editions.
Means-End of Software
Cox, G. (2011). Means-End of Software. in: Pold, S. and Andersen, C. (ed.) Interface Criticism Aarhus University. pp. 145-145
Freedom, Control, Security: Current and Future Implications for Internet Governance
Cox, Geoff and Knahl, Martin (2011). Freedom, Control, Security: Current and Future Implications for Internet Governance. in: El Morr, Christo and Maret, Pierre (ed.) Virtual Community Building and the Information Society IGI Global. pp. 238-238
Critique of Software Security
Cox, G. and Knahl, M. (2011). Critique of Software Security. Rita Baum.
Nyhedsavisen: Public Interfaces
Cox, G. (2011). Nyhedsavisen: Public Interfaces. Nyhedsavisen: Public Interfaces. 1 (1).
Concept Store #3: Art, Activism and Recuperation
Cox, G., Trevor, T. and Haq, N. (2010). Concept Store #3: Art, Activism and Recuperation. Arnolfini.
Antithesis: The Dialectics of Software Art
Cox, G. (2010). Antithesis: The Dialectics of Software Art.
Craftivism
Cox, Geoff, Shearman, Zoe and Coxon, Anne (2009). Craftivism. Arnolfini Gallery, Bristol 11 Dec 2009 - 13 Feb 2010
Concept Store #2: Possible, Probable and Preferable Futures
Cox, G., Berardi, F., Grussin, R., Ruiz, F., Grussin, G., Chong, H., Stockel, T., Dijkman, M., Roelstraate, D., Gane, M., Holder, Will, von Schlegell, M., Oldfield Ford, L., Ding, L., Vahabi, K. and Potter, C. Cox, G., Naq, N. and Trevor, T. (ed.) (2009). Concept Store #2: Possible, Probable and Preferable Futures. Arnolfini.
Supertoys
Cox, G., Haq, N. and Trevor, T. (2008). Supertoys. Arfolfini, Bristol, United Kingdom 21 Nov 2008 - 17 Jan 2009
Internet governance: Towards a non-representational democracy
Knahl, MH and Cox, G (2008). Internet governance: Towards a non-representational democracy. International Journal of Web Based Communities. 4, pp. 319-333. https://doi.org/10.1504/IJWBC.2008.019192
Generator: The Dialectics of Orderly Disorder
Cox, G (2002). Generator: The Dialectics of Orderly Disorder. ACM. pp. 45-49
Panel: Individual and/versus social creativity
Edmonds, E, Candy, L, Cox, G, Eisenstein, J, Fischer, G, Hughes, B and Hewett, T (1999). Panel: Individual and/versus social creativity. Proceedings of the 3rd Conference on Creativity and Cognition, C and C 1999.
Collective Translation as Forking (分岔)
Cox, G., Soon, W., Lee, T-T, Lee, C-T. and Hsu, S-Y. (2024). Collective Translation as Forking (分岔) . Journal of Electronic Publishing. 27 (1), pp. 195-221.
Photography at a Standstill
Cox, G. (2024). Photography at a Standstill. Media Theory. 8 (1), pp. 297-318.
Content/Form: A Peer-reviewed Newspaper
Cox, G. (2024). Content/Form: A Peer-reviewed Newspaper. Aarhus, Denmark transmediale/darc, aarhus university.
On Curatorial Education, Collaboration and Decolonial Prospects
Cox, G. On Curatorial Education, Collaboration and Decolonial Prospects. in: Learning By Curating: Current Trajectories in Critical Curatorial Education ICMA (Institute for Multidisciplinary Research in Art), UNAGE Iași, Romania; Vector at "George Enescu" National University of the Arts, Iasi, Romania; EARN (European Artistic Research Network), Curatorial Studies WG5. pp. 82-91
Editorial: Toward a Minor Tech
Cox, G. and Andersen, C. U. (2023). Editorial: Toward a Minor Tech. A Peer-Reviewed Journal About. 12 (1), pp. 5-9. https://doi.org/10.7146/aprja.v12i1.140431
Toward a Minor Tech: A Peer-reviewed Newspaper, Volume 12, Issue 1, 2023
Cox, G. (2023). Toward a Minor Tech: A Peer-reviewed Newspaper, Volume 12, Issue 1, 2023. Aarhus, Denmark transmediale/darc, aarhus university.
Editorial: Rendering Research
Cox, G. Editorial: Rendering Research. APRJA. 11 (1), pp. 4-8. https://doi.org//10.7146/aprja.v11i1.134302
Making “World Machines”
Light, A., Bardzell, J., Bardzell, S., Cox, G., Fritsch, J. and Koefoed Hansen, L. Making “World Machines”. Aarhus Series on Human Centered Computing.